Works List
Notturno for four musicians 2010 Commissioned by DAAD. Premiere in Venice, October 2nd 2010. Dur 20’
En la impenetrable maraña de lo no nombrado (In the impenetrable tangle of the unnamed) for 24 voices, 2010 Commissioned by SWR for the SWR Vokalensemble. Premiere March 2010. Dur 15’
Hormigas, Moscas, Pájaros,
(Ants, Flies, Birds, Three Works for 6 Voices) New sections of the work La selva
interior (The
Jungle Within) 2009
Premiered at Ultraschall Festival January 28th 2010 by the Neue
Vocalsolisten. Dur 15’. Commissioned by Neue Vocalsolisten.
Agonía Grave (for solo bass singer playing a double bass) New section of the work La selva interior (The Jungle Within) 2009 Premiered at Ultraschall Festival January 28th 2010 by the Neue Vocalsolisten. Dur 3’
Mosca (for solo soprano) New section of the work La selva interior (The Jungle Within) 2009 Premiered at Ultraschall Festival January 28th 2010 by the Neue Vocalsolisten. Dur 3’
Brut Nature 2009 for solo baritone saxophone.
Premiered by Luis Conde November 27th 2009 Ex Biblioteca Nacional,
Buenos Aires, Argentina. Dur 9’
La cabeza
de Goliat (Parte II) for
solo violin Premiered by David Nuñez November 27th 2009 Ex
Biblioteca Nacional, Buenos Aires, Argentina. Dur 7'
Tres
conciencias for
pianist, Premiered by Fabiana Galante November 27th 2009 Ex
Biblioteca Nacional, Buenos Aires, Argentina. Dur 5'
Logomaquia 2009 for Trumpet, trombone, tuba,
percussion and tape. Text by Nora Iuga. Premiered November 12 2009, CCMOCA,
Buenos Aires, Argentina. Dur 14’. Commissioned by DAAD.
Heterofonía 2009 for five contrabass clarinets. Premiered September 17th by Theo Nabicht, Hans Koch, Chris Heenan, Arman Angster, Manfred Spitaler, and Carl Rosman at the Festival Fünf Plus Eins 2009, Berlin. Commissioned by Theo Nabicht and the DAAD for the Festival Fünf Plus Eins 2009.
Salut! (for WZ) 2009 electroacoustic. Dur 5’
En la más ardua oscuridad 2009 for bass clarinet, cello and piano. Dur 7’. Premiered by KammerEnsemble Neue Musik Berlin. June 4th 2009 Rotes Rathaus, Berlin.
Maraña-Guitarra 2009
Electroacoustic. Dur 8’14”
GuitAfrica 2009 Electroacoustic. Dur 8’ 50”
Continuación de la Nada 2008 for clarinet, violin, viola, cello and piano. Dur 15' Commissioned by Ensemble Counter)induction. Premiered at Americas Society, New York, December 1st 2008.
La cabeza de Goliat 2008 for solo violin. Dur. 4’. Commissioned by The Institute for the Cooperation of Art Research. Unpremiered. Composer's version @ My Space Music.
Polifonía concreta 2008 for solo bass flute. Dur. 6'. Commissioned by The Institute for the Cooperation of Art Research. Composer's version @ My Space Music.
Ondulaciones del ahora 2007 for solo cello. Commission by the Südwestrundfunk, Stuttgart Premiered at the 2007 International Cello Competition by Ensemble Modern cellist’s Eva Böcker. Dur.15’.
La selva interior 2006 Chamber Opera. Commissioned by CETC Experimental Center Colon Theater, Buenos Aires, Argentina. For ensemble of ten instruments, soprano and prerecorded sounds. Premiered August 18, 2006. Teatro Margarita Xirgu, Buenos Aires, Argentina. Santiago Santero, conductor. Dur 60’.
Para el encuentro en los abismos 2003 for 24 musicians. Dur. 20’. Commissioned in 2002 by the Ensemble Intercontemporain (EIC). Premiered December 19, 2003, Center Pompidou in Paris, France by the EIC. Gergely Vajda, conductor.
Bibliografía del silencio 2003 for solo bass flute and prerecorded flutes. Dur. 7’. Premiered January 12, 2003, Cami Hall, New York, NY for a New York Flute Association concert. Ulla Suokko, flutist.
De qué modo en lo anónimo 2002 radiophonic opera. Dur. 30' 30". Commissioned in 2002 by the Centro para la Difusión de la Música Contemporánea and National Radio Spain. Premiered October I, 2002, at the 18th International Festival of Contemporary Music, Alicante, Spain. Based on a text by Juan José Saer.
Nada, nada 2002 for eight amplified flutes. Dur. 10’ to 12’. Premiered November 13, 2002, National Library Vaz Ferreira Auditorium, Montevideo, Uruguay by the Núcleo Música Nueva.
Resplandecencias de la nada 2002 for seven instruments. Dur. 12' 45". Premiered April 19, 2002, New York Society for Ethical Culture, New York, NY by Ergo Ensemble (Canada). Performers: Philipp Jundt, flute, Peter Stall, clarinet, Corey Gemmell, violin, Tom Mulkler, cello, Erica Goodman, harp, and Richard Moore, percussion. Tania Miller, conductor.
¿Qué se llama cuanto heriza nos? (What Do You Call Everything That Bristles Us?) 2001 for 10 instruments. Dur. 16' 15". Premiered April 30, 2001, Miller Theater, Columbia University, New York, NY by Speculum Musicae. Performers: Elizabeth Brown, flute, Robert Ingliss, oboe, Allen Blustine, clarinet and bass clarinet, Patrick Pridemore, horn, Pablo Rieppi, percussion, Peggy Kampmeier, piano, Curt Macomber, violin, Dan Panner, viola, Arash Amini, cello, and Lisa Strokes Chin, double bass. Jeffery Milarsky, conductor.
Estruendomudo (Thunderdumb) 2000 for amplified horn, trumpet, trombone, didjeridoo, percussion, and electronics. Dur. 9' 30". Premiered December 3, 2000, Columbia University, New York, NY. Performers: Matt Shulman, trumpet, Graziela Bortz, French horn, Darcio Gianelli, trombone, Alberto de España, didjeridoo, and Marcelo Toledo, percussion.
Bocanada elíptica (Elliptic Blast) 2000 for 15 instruments: flute, oboe, bass clarinet, bassoon, horn, trumpet, trombone, two violins, two violas, two cellos, double bass, piano, and percussion. Dur. 8' 40". Premiered July 23, 2000, Centre Acanthes, Villenueve-lez-Avignon, France by the Orchestre Lyrique de Region Avignon-Provence. Sylvio Gualda, conductor.
Las soledades mudas del mundo (The Silent Solitude of the World) 2000 for amplified trumpet. Dur. 7' 30”. Premiered April 2, 2000, Sulzberger Parlor, Barnard College, New York, NY by Matt Shulman.
El ir a qué con meta 1999 for flute, bass clarinet, trombone, piano, percussion, violin, viola, cello, and double bass. Dur. 11' 30". Premiered July 22, 1999, Eglise de la Chartreuse, Avignon, France by the Orchestre Lyrique de Region Avignon-Provence. Sylvio Gualda, conductor.
Rezongos (Grumbles) 1998 for wind quintet, piano, eight voices, and bandoneon. Dur. 7’ 30". Premiered June 9, 1998, Americas Society, New York, NY by the Quintet of the Americas and the Americas Vocal Ensemble. Text by John Cage.
Geometrías fugitivas (Fleeting Geometries) 1998 for bass clarinet, cello, and piano, Dur. 8”. Premiered May 7, 1998, Sulzberger Parlor, Barnard College, New York, NY. Performers: Christina Dhal, piano, Michael Lowenstern, bass clarinet, John Whitfield, cello. Arthur Kampela, conductor.
Aliento /Arrugas (Breath/Furrows) 1998 for solo flute. Dur. 4' 40". Premiered March 2, 1998, St Paul's Chapel, Columbia University, New York, NY. Ulla Suokko, flutist.
Amarillo rabioso (Rabid Yellow) 1998 electroacoustic music. Dur. 6' 15". Premiered May 5, 1998 at the Annual Concert of the Columbia University Computer Music Center, Miller Theater, New York, NY.
Pulso herido (Wounded Pulse) 1996 for flute, oboe, clarinet, bassoon, and piano. Dur. 9' 50". Premiered May 30, 1997, National Center for the Arts at the IV International Festival of Contemporary Music in Mexico City, Mexico by the Quinteto de Alientos de la Ciudad de Mexico.
Capas remotas (Remote Layers) 1996 for flute and percussion. Dur. 19' 55". Premiered April 26, 1997, Crouse College Auditorium, Syracuse University. Ulla Suokko, flute, Kevin Romanski, percussion.
Suspended Moieties 1995 for string orchestra, piano, and four percussionists. Dur. 10’. Premiered April 25, 1995, Crouse College Auditorium, SU, Syracuse, NY by the Syracuse University Orchestra.
Recycled Circles 1995-96 for two percussionists and electronic sounds. Dur 10' 20". Premiered May 14, 1996, Crouse College Auditorium, Syracuse University, Syracuse, NY. Performers: Marcelo Toledo, computer, synthesizer, and tape, Mark Adamsky and Kevin Romanski, percussion.
Como astros ... arde 1995 for flute trio, Dur. 2'15". Premiered April 9, 1995, Crouse College Auditorium, Syracuse University, Syracuse, NY. Performers: Jeanne Pimuto-Sauvé, Teresa Midgley, and Margaret Ubaldi. Marcelo Toledo, conductor.
Siete susurros desiguales (Seven Unequal Whispers) 1994 for bass clarinet, cello, and horn. Dur. 11' 40". Premiered October 12, 1994, Crouse College Auditorium, Syracuse University, Syracuse, NY. Performers: April Rando, horn, Christopher Hopkins, cello, and Christopher Mannigan, bass clarinet. Marcelo Toledo, conductor.
Volvo (Unwind Time) 1994 for flute, violin, double-bass, piano, harp, and two percussionists. Dur. 10’. Premiered April 30, 1994, Crouse College Auditorium, Syracuse University, Syracuse, NY. Performers: Sandra Westfall, flute, Rachel Wimmer, violin, Christina Kaiser, harp, Kevin Romanski, piano, Gary Fowler, bass, and Mark Adamsky and Chris Scharl, percussion. Christopher Hopkins, conductor.
